WHO IS THIS FELLA CALLED FELA ANIKULAPO KUTI
Here I was born Fela Kuti – afrobeat legend. About him very nicely written: Fela Kuti, Of all the African musician Fela Kuti, probably the least in need of representation. Fifty albums for fifty years and his sweaty, bare-chested torso became a brilliant starting point for the Nigerian grassroots and political prisoners around the world.
Controversial, opinionated, outspoken, full of innovation and always fully going their own way, Fela began in West Africa, unprecedented creative impulse. Fela’s grandfather was a renowned composer, his father – a pastor, a pianist, and his mother – a nationalist leader. In the late fifties Fela four years he moved to London, where at Trinity College, learned to play the trumpet and music theory. In the mid ’60s Fela acquainted with drummer Tony Allen, and then they played in an American-sounding jazz.
Highlife Juju
By the end of the 60s Fela and Tony away from jazz and develop your own sound, which was a hybrid of jazz and dance music of the then high life and juju. which sounded as actively and electric guitar. ( Juju -Juju means “amulet”, “spell”or” magical power.”So-called long drum losses in pop songs, which were performed on the huge wooden lying on its side, so-called”talking”drums).
Africa 70
In 1970, Fela forms the musical group Africa 70 theme song of which was political. As a consequence – a career constantly interrupted by the violence of the government with respect to its musicians, family and to him personally. His records are regularly imposed bans, and organized them committed Kalakuta Republic commune police raids. During one of these raids, the commune had been destroyed, and elderly mother Kuti was killed – soldiers threw her out the window. Fela was a supporter of the ideas of Pan-Africanism and socialism and advocated the creation of a single African country. Afrobeat Kuti was to not just music – he said that “the music – it’s a weapon.” His whole life was a creative confrontation and struggle.
Colonial Mentality
Fela Kuti Colonial Mentality – Fela Kuti Tony Allen joined the traditional layered bit with American jazz, then added rhythm and blues and funk. However, what he did and how hard to say, but turned his unobtrusive, layered, extremely relaxed and very motor bit – one of the most original in the 70s. (The funk accented even share in afrobite – first) It practically does not change its course, it is woven entirely homogeneous – that is, it is minimalistic, but you can listen to it endlessly. He sings strange polyphony arranged endless melody rhythm – it turns a kind of erotic dance metronome. Thus, African-bit has emerged as a powerful musical force due to the fantastic percussionist Tony Allen, excellent bass lines, vocals in the style of question-response chorus to vocals, consisting of twenty wonderful dancers and, of course, the most Fela, which in turn played the tenor -saksofone, alto saxophone and keyboards. Egypt-80. Accompanied by his forty people consisting of an ensemble, Fela became known as the Egypt-80. He was the star, which has always been difficult to deal with. He was accused of racism, sexism extravagant, arrogant selfishness – on all charges, he just shrugged his shoulders and did not refute. (In 1986, he divorced his 28 wives, saying: ”No man has no right to own female p **** d”). His songs, sung in pidgin English, retained their appeal thanks to their humor and sharp tongue. But his music has never been focused on the dance floor, as long polemical discourse on stage, the audience enchanted with wrangling in cigarette smoke, are legendary.
SOURCE: Knownpeople.net
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